![]() Now, while continuing to pursue his screenwriting endeavors like a younger but equally overwhelmed Barton Fink, Ryan covers the latest news and developments of the entertainment world in addition to writing thoughtful and informative features and reviews. He was also fortunate enough to option his first-ever screenplay to an established Canadian producer fresh out of film school. Torn between wanting to write about movies and wanting to write his own, Ryan attended Vancouver Film School for Screenwriting in 2019, developing a number of close friends and industry contacts. After earning a degree in History from McMaster University and working briefly in digital marketing, Ryan decided to turn his focus to the world of entertainment, his true passion. Ryan Northrup is a Senior Writer at Screen Rant and a contributor at MovieBozo and Flickfeast. In any case, Saldaña's character will seemingly continue to play a crucial role in the franchise in the years ahead. Avatar 5 is also confirmed to be heading to Earth for some scenes, which will serve as a major eye-opening experience for Neytiri. While Lo'ak (Britain Dalton) will be the narrator for the third film, it's certainly possible that Neytiri will be the narrator in films four or five. It's also been confirmed that Avatar 3 and the other sequels won't feature Jake as the narrator, with new characters offering their own points of view. After Neytiri draws a knife on Spider and threatens to kill him during the Avatar: The Way of Water climax, it's likely that future sequels will more fully explore the fallout of her extreme actions. Although Jake mostly accepts Spider as a member of the Sully family, Neytiri is far less open, expressing clearly that she believes that the young human should live with his own kind. He chalked up the neglect of these pieces to the pervasive attitude at the time that they were only by-products of the real artwork: the final movie.In addition to an inevitable future showdown with Quaritch, whose last words to her are " I owe you a death," Neytiri's dynamic with Spider will also seemingly continue to be explored. Some were damaged and yellowed from second-hand cigarette smoke, others wrinkled and worn by storage in less-than-ideal conditions. Stefan Riekeles, the curator of the Anime Architecture exhibition, says many images were only saved because the artists had taken them home for safekeeping. ![]() “But in the most part, it’s not like that at all.” ![]() “ Ghibli were the big exception – they have everything, they preserve it, there are pieces of art that the artists themselves can’t get to look at anymore because they’ve packed it all away so beautifully,” says Ogura. Japanese animation studios have historically tended not to consider the actual background images themselves as worthy of display or even of preservation, with boxes and boxes of original drawings and cels filling studio storerooms or occasionally discarded outright. It all became digital, pretty much overnight.” “The greatest change was the arrival of digital,” says Ogura. The scene in which this piece was used is entirely wordless, the warm tones of the old town contrasting with the harsh blue tones of the new city above (main image). When he was introduced to Ghost in the Shell director Mamoru Oshii, he was surprised by how much the man simply wanted to explore ideas.Ī final background painting for Ghost in the Shell, cut 341, watercolour on paper. “Usually the projects that get brought to me are on the basis of stuff I’ve already done,” he says. Ogura already had a storied career before he came to Ghost in the Shell, having worked on classics like Ninja Scroll and Wings of Honnêamise. They basically said, look: what we do are the backgrounds. “One day I saw an ad where they were hoping to get people to do drawing, and I saw ‘anime’, so I gave them a call. “When I was young, it wasn’t like there were a lot of art careers to be had. “It’s more like I was looking for any work at all, and the work that I got was to do with backgrounds,” he says, smiling. Photograph: Mike Bowers for the Guardian.ĭrawn to artistic endeavours from a young age, Ogura didn’t initially intend to go into working in landscapes. Hiromasa Ogura, art director and background artist.
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